This show has not received much attention in the neighborhood and receiving great reviews. Check it out.
Homespun beauty and historical nightmare fuse into one in “book of the bound,” an exhibit of mixed-media collages by Seattle artist-poet Carletta Carrington Wilson.
The show, at the Northwest African American Museum, zeros in on the missing voices of the slave era: those of the slaves themselves, especially the female captives.
Wilson’s blank “canvases” are antiquarian books — usually dictionaries or encyclopedia volumes — enshrouded in fabrics, beads, doilies, shells, small bones and other materials. On those materials, snippets of text appear. Continue reading



